On Tue, 20 Aug 2024 17:47:41 +0000, Bruce wrote:
Because only record collectors would take the stance that you have taken
here, or even care about whether a release was bona fide or not. Non
collectors like me and pretty much everyone else in this group only care
about the actual music made by the artists, not about the physical
records
issued by the label owners.
I appreciate you're trying to play some kind of silly "I'm superior to
you" card
On Tue, 20 Aug 2024 17:26:01 +0000, Roger wrote:
On Tue, 20 Aug 2024 15:40:11 +0000, Bruce wrote:
On Tue, 20 Aug 2024 13:38:08 +0000, Roger wrote:
On Tue, 20 Aug 2024 2:01:33 +0000, Mark D. wrote:
On Aug 19, 2024 at 10:32:45 AM CDT, "Bruce" <Bruce> wrote:I took "bona fide" to mean genuine
"bona fide" means genuine, real.
Actually the Latin phrase means "in good faith." Genuine and real are >>>>> merely
approximations. I'll leave it to you and Roger to decide whether
bootlegged
records are in good faith.
And in that connection--as I said---bootlegs are certainly not
Legalities have nothing to do with this IMO. It's a record, it plays
just like a record issued legally. It's not a "fake" record, it's a real >>> record. I'm sure you have some bootlegs in your collection. Are they
figments of your imagination, or are they real records
I have hundreds of boots in my collection.They are all real boots
So is "Kansas City" by Wilbert Harrison a bona fide release?
It was deemed to be an illegal release by the US courts and Robinson had >>> to pay Herman a hefty sum. So it's no different than a bootleg, and
therefore not a genuine release in your eyes, right?
I don't know the intricacies of the Harrison case but if the courts
there say its illegal then its illegal.
But don't hold your breath waiting for me to throw my Top Rank copy (I
guess that's illegal too?) away any time soon
I guess you are just a record collector first. Otherwise you would have
sold them all, and made a lot of money.
Because only record collectors would take the stance that you have taken
here, or even care about
whether a release was bona fide or not. Non collectors like me and
pretty much everyone else in this group only care about the actual music
made by the artists, not about the physical records issued by the label owners.
I was never that serious of a record collector other than with Fats
Domino, where I had every 45 and album except for some real early
Imperial 45s, and I had most of those on 78s. Otherwise I just wanted
the best sounding copies of the music, which is why I had a lot of
reissue albums. Most of the time things sounded better on those than on original 45s. Once Diane exposed me to MP3s, I was free to start selling
the records and I did. I still have several hundred things hanging on my walls for decoration, but I haven't cared about owning an actual record
for over 20 years now. Give me a real clean sounding MP3 any day over
some noisy record.
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