• Newsgroup TOPICS - Jan 2007, week 2

    From RWC@21:1/5 to All on Wed Sep 18 18:20:38 2024
    James Brown's former manager reveals JB's life {article} {Dean}

    2007 RnRHoF Inductees {Fred}

    Who's Got A Birthday Today (<date>) - Roger

    Oldies fans with Boring, Predictable Tastes {Rewind Listeners} {Dean}

    So Which Record Label Was Named After YOU? {Roger}

    Complete Rock & Roll Hall Of Fame Lists {includes Nominees} {Brett A P}

    Song from "Walk The Line." {a query}

    Buddy Holly, The Crickets, ... {query about original names on records}

    Recommended NG download: "Rhythm & Blues Goes Rock 'N' Roll" {15 cds}

    OT: Memphis bound! {conference} {Dean}

    The Song Collection - <Song Title> - Roger

    Petula Clark - The Complete Early Singles {Theo Morgan}

    Your Top Ten James Brown Songs {Paulie Peanuts}

    How Tall Was The Godfather Of Soul? {fight over James Brown} {W B J}

    Aladdin 3458 - Brenda Holloway? {DianeE}

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  • From Roger@21:1/5 to RWC on Thu Sep 19 06:04:44 2024
    On Wed, 18 Sep 2024 22:20:38 +0000, RWC wrote:


    So Which Record Label Was Named After YOU? {Roger}

    I didn't even remember this one so I had to jump in the old time machine
    and go back to revisit what I wrote then : -

    (An expanded and revised version of something that I put up here a few
    years back :)
    So which record moguls had the cleverness and foresight to name their
    record label after YOU?

    Let's check out some of the people who hang out in these parts and
    match them up with their very own record company.........

    Well for starters Messrs Grossberg,Gilson and of course Cousin Brucie
    had their own BRUCE label in New York City who put out probably the
    best record that's liable to get mentioned here today---The Harptones
    and their great version of "A Sunday Kind Of Love" in 1953

    The trio of Roberts---being Roman,Boyne and Massey had their very own
    BOBBY label,also of New York City which also put out a nice version of
    "A Sunday Kind Of Love" this time in 1964 credited to The Excellons
    who I believe were The Excellents of "Coney Island Baby" fame

    Sorry,Bill but the best I can come up with for you is the BB label
    that had the original release of a decent record "In Paradise" by The
    Showmen in 1965 before Swan took over distribution

    Taking the liberty of shortening his name a little gives Mr Blau his
    CLIFF label famous for the original issue of TV Slim's classic "Flat
    Foot Sam" in 1957 before Chess picked it up

    Okay,it's high time we bought the ladies in here and straightaway Ms
    Doyle presents a problem since I can find no label directly linked to
    her name---unless we do another shortening job---in which case of
    course we have the famous CAT label of NYC whose lasting claim to fame
    was as the home of the immortal "Sh-Boom" by The Chords

    Meantime Ms Muller has the distinction of having not just one but two
    labels named after her---the two DIANE labels,one in Dallas and the
    other in Memphis. The latter however has the best record to its name
    being John Kerby's very late (and quite good) RAB entry "Get Hot Or Go
    Home" that amazingly seems to be from 1964 tho it sounds at least 5
    years earlier

    Elsewhere Mr Fiora's DEAN label can lay claim to being the home of The
    Cameos and their "Lost Lover" in 1960

    Mr Myers of this parish has the GARY label of course---responsible for
    one of my favorite uptempo doowops in "Doom Lang" by the (black)
    Tokens in 1957

    And Mr Colegrove is honored by both the Jim and the Jimbo labels but
    in view of his guitar prowess,might prefer to be associated with the
    much more famous JAMIE label that gave us of course "Rebel
    Rouser"-----and a whole string of guitar maestro Duane Eddy hits

    Talking of which,instrumentals seem a bit thin on the ground in this
    piece but our friend Mr Whiton has one of the very best via his KEN
    label that put out the original issue (before MGM) of the great "Leap
    Frog" by The Chuck Alaimo Quartet in 1957

    Moving right along my exiled countryman Mr Blanks has the very similar
    sounding LEN label that had a decent---and real rare---Dreamlovers
    record "Take It From A Fool" in 1960

    The JOHNNIE BOY label----dedicated to John Wade of course----put out a
    late record by The Ad Libs of "The Boy From New York City" fame

    Prof Dintenfass is honored by the MARK label also of NYC (I *think*)
    which put out a slew of doowop records including a couple of real
    valuable items in The Supremes "Nobody Can Love You" from 1958 and The
    Teenage Moonlighters "Sorry,Sorry" from 1959. A nice item I heard for
    the first time the other day "Tell Me A Tale" by The Charm Kings was
    also on Mark

    Meanwhile,with almost the same name,Mr Dashevsky has the MARC label
    named after him---boasting one of the most famous records of the cusp
    era to its credit----over here anyway). I'm talking about Bob & Earl's
    original "Harlem Shuffle" from 1963.

    Not content with being the subject of a major Top 10 hit (courtesy Sue
    Thompson who showed a singular lack of taste) Norm also has a label
    named after him----no,there is no Katuna Records you will be glad to hear----but there was a NORMAN label out of St Louis,Mo whose most
    sought after record is "Love No One" by The Top Hits from 1961

    Ralph's PARKER label has the distinction of its 1963 reissue of "Crazy
    Rock" by Carlo & The Cupids being more valuable than the 1959 Judd
    original

    Bending the rules a bit Randy Price can claim the RAN-DEE label whose
    best record was probably The Four Sounds and the decent "Mama Ubangi
    Bangi" in 1962

    Steve Mc will be pleased to know that his STEVENS label based in
    Granite City Ill put out a real rare ($100+) RAB (with sax yet!) disc
    by Chuck Wheeler titled "Cherokee Rock" in 1959

    And Mr Lucas had a national hit with his TODD label that gave us the
    memorable Top 20 smash "Snap Your Fingers" by Joe Henderson in 1962

    Finally there seems to be no Roger label or anything like it so I have
    to make do with the FORD label from 1957 that had quite a famous name
    on its books---none other than Duane Eddy and his original version of
    "Ramrod"

    If you're not here it's not me being ignorant and ignoring you---it's
    just me being ignorant and not knowing a record co to match you to :)

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  • From RWC@21:1/5 to All on Thu Sep 19 06:17:07 2024
    On Thu, 19 Sep 2024 06:04:44 +0000, mariabus@blueyonder.co.uk (Roger)
    wrote:

    On Wed, 18 Sep 2024 22:20:38 +0000, RWC wrote:

    So Which Record Label Was Named After YOU? {Roger}

    I didn't even remember this one so I had to jump in the old time machine
    and go back to revisit what I wrote then : -

    (An expanded and revised version of something that I put up here a few
    years back :)
    So which record moguls had the cleverness and foresight to name their
    record label after YOU?

    Wot!, no record label named Geoff or Jeff?

    I reckons if there *was* a Geoff label, some folk would've invested
    in a 45 or two, just for the label :-)

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  • From Roger@21:1/5 to RWC on Thu Sep 19 16:06:59 2024
    On Thu, 19 Sep 2024 10:17:07 +0000, RWC wrote:

    On Thu, 19 Sep 2024 06:04:44 +0000, mariabus@blueyonder.co.uk (Roger)
    wrote:

    On Wed, 18 Sep 2024 22:20:38 +0000, RWC wrote:

    So Which Record Label Was Named After YOU? {Roger}

    I didn't even remember this one so I had to jump in the old time machine >>and go back to revisit what I wrote then : -

    (An expanded and revised version of something that I put up here a few >>years back :)
    So which record moguls had the cleverness and foresight to name their >>record label after YOU?

    Wot!, no record label named Geoff or Jeff?

    Nothing in our era but there's this one from 1978 (Shame its such a
    crappy song :-(

    https://www.youtube.com/watch?v=Km9AqJlEb7A

    --- SoupGate-Win32 v1.05
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  • From RWC@21:1/5 to All on Thu Sep 19 14:06:59 2024
    On Thu, 19 Sep 2024 16:06:59 +0000, mariabus@blueyonder.co.uk (Roger)
    wrote:

    On Thu, 19 Sep 2024 10:17:07 +0000, RWC wrote:

    On Thu, 19 Sep 2024 06:04:44 +0000, mariabus@blueyonder.co.uk (Roger)
    wrote:

    On Wed, 18 Sep 2024 22:20:38 +0000, RWC wrote:

    So Which Record Label Was Named After YOU? {Roger}

    I didn't even remember this one so I had to jump in the old time machine >>>and go back to revisit what I wrote then : -

    (An expanded and revised version of something that I put up here a few >>>years back :)
    So which record moguls had the cleverness and foresight to name their >>>record label after YOU?

    Wot!, no record label named Geoff or Jeff?

    Nothing in our era but there's this one from 1978 (Shame its such a
    crappy song :-(

    https://www.youtube.com/watch?v=Km9AqJlEb7A

    I'm pretty sure Geoff Hurst would have been disappointed.

    An-y-way, this mediocre R&B Jeff's record inspired me to ask Copilot

    can you describe that instrumental sound that strongly identified soul or
    r&b music as being from the 1970s?

    Absolutely! The instrumental sound that strongly identified soul and R&B
    music in the 1970s was characterized by several key elements:

    1. **Funky Basslines**: The bass guitar played a prominent role, often
    with syncopated, groovy lines that drove the rhythm. Think of artists
    like James Jamerson from Motown or Bootsy Collins from
    Parliament-Funkadelic.

    2. **Horn Sections**: Brass instruments, particularly trumpets,
    trombones, and saxophones, were frequently used to add punch and
    excitement. Bands like Earth, Wind & Fire and The Commodores utilized
    these sections to great effect.

    3. **Electric Piano and Clavinet**: Instruments like the Fender Rhodes
    electric piano and the Hohner Clavinet added a distinctive, warm, and
    sometimes funky sound. Stevie Wonder's use of the Clavinet in songs like "Superstition" is a classic example4.

    4. **String Arrangements**: Lush string sections were often used to add a
    layer of sophistication and emotion. Barry White's Love Unlimited
    Orchestra is a prime example of this orchestral approach6.

    5. **Rhythmic Guitar**: The use of rhythmic, often percussive guitar
    playing, sometimes with a wah-wah pedal, was a staple. Nile Rodgers of
    Chic is a master of this style.

    6. **Percussion**: A variety of percussion instruments, including congas, bongos, and tambourines, added to the rich, layered rhythms. This was especially prominent in the works of artists like Marvin Gaye and Curtis Mayfield.

    These elements combined to create a sound that was both deeply soulful
    and rhythmically compelling, making 1970s soul and R&B music instantly recognizable and timeless.

    Do you have a favorite artist or song from this era? Well, DianeE?

    Source: Conversation with Copilot, 19/09/2024
    (1) The 9 Most Epic Instrumental Tracks of the 1970s - Society Of Rock. https://societyofrock.com/epic-instrumental-tracks-1970s/.
    (2) The Evolution of Soul Music: Tracing Its Roots and Impact. https://www.musicalflora.com/genres/soul/evolution-soul-music-tracing-its-roots-impact/.
    (3) The 100 Greatest Soul Music Of The 70s - Best Soul Music Of All Time. https://www.youtube.com/watch?v=g6cX4cVzdBY.
    (4) The 100 Greatest Soul Songs Of The 70's - Best Soul Classic Songs -
    Soul 70's Collection. https://www.youtube.com/watch?v=fYSX69A8NLQ.
    (5) 70s R&B - Soulful Jams. https://www.youtube.com/watch?v=Vn47xg17Ev4.
    (6) 1 Hour of Instrumental R&B and Soul Music Compilation. https://www.youtube.com/watch?v=Qdk9pDWhLjI.

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